his paper investigates the diferent approaches that Rørbye used, ranging from his early copies after his teacher to his autograph replicas of his own paintings. In the present study, three versions of one subject – a standing clergyman – are examined. Would Rørbye at a more mature age carry out the same meticulous underdrawing when transferring his own composition to the canvas? Rørbye also often made repetitions of his own works, occasionally in up to four or ive identical versions. Eckersberg, Rørbye painted several copies after his master, some initially believed to be by Eckersberg himself. he question arises as to whether his underdrawing technique changed over time. Based on drawings made on his travels, Rørbye executed paintings on canvas. Rørbye, a central igure of the Golden Age of Danish painting, worked in Italy, Greece, the Middle East and the Balkans, as well as Norway and Denmark.
0 kommentar(er)
